As flashy and dizzying and jargon-y as Netflix's new sci-fi show Altered Carboncan be, it has its constants. One of the best: Martha Higareda. The Mexican actress plays Kristin Ortega, a no-bullshit Bay City cop who's inextricably linked to Joel Kinnaman's 22nd-century mercenary and who looks poised to become a series favorite.
Whenever she's onscreen, Higareda's reliable for foul-mouthed laughs and badass surprises. Though Altered Carbon will be an introduction to her for some, this 34-year-old star has been on the international scene for almost two decades. If you're wondering where you've seen her before -- or why you haven't -- consult our cheat sheet:
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After seeing the actors in Alejandro González Iñárritu's 2000 thriller, Amores perros, a young Higareda got inspired to seek out a career of her own. Her big-screen debut came soon after, in 2002, with Amar te duele, Fernando Sariñana and Carolina Rivera's modernized take on a Romeo and Juliet-esque romance. The movie quickly exploded in Mexico. Higareda, playing a rich family's pampered daughter, won audiences' hearts, earning a best newcomer award from the Mexican Cinema Journalists and a favorite actress honor at the MTV Latino Movie Awards.
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Borderland and Street Kings launched her U.S. Career
Though Higareda appeared in John Sayles's 2003 indie Casa de losbabys, it wouldn't be until a few years later, with Zev Berman's Borderland and David Ayer's Street Kings, that she truly began her Stateside crossover. Street Kings memorablyput her alongside Keanu Reeves,while Berman's slasher flick had her holding her own as Valeria, a generous bartender who helps a couple dumb foreigners track down a killer cult. "It takes its time, for sure, but Borderland ultimately descends into a brutal orgy of torture and mutilation that’s harrowing to watch, because it’s played completely real," wrote one critic. "This is Wolf Creek–style, true-story-inspired horror, and makes the Hostel movies look like cartoons by comparison."
She became a huge deal in Mexico
The main reason you might not have heard of Higareda is because she's more of a megastar in Mexico. With her diverse skillset, she's slipped into horror flicks (Hasta el vientotienemiedo), thrillers (Fuera del cielo), and comedies there with ease. Until now, it's been that last genre where she's made the most noise -- and not just in front of the camera. She wrote, produced, and starred in the 2010 romcom Te presento a Laura. In 2014, she did the same with Cásese quien pueda, Mexico's highest-grossing comedy that year. And in 2016, she produced and starred in No Manches Frida, a funny Fack ju Göhte remake that scored the third best opening for a Mexican movie in Mexico ever. (Though she clearly excels in the comedy realm, she's no joke.)
Now she's a star in both countries
Higareda's box-office glory in Mexico has helped fuel a more permanent shift to Hollywood, where she's capitalized on a wide range of opportunities, including: Smokin' Aces 2: Assassins' Ball; the TV movie Lies in Plain Sight; the TV show Royal Pains; Kevin Costner's McFarland, USA; the toon Steven Universe; and the forthcoming horror-comedyDeadTectives. While Higareda's successfully balanced a career in Mexico and in the U.S., Altered Carbon marks her biggest international gig to date. In other words, keep your eyes peeled for more of her.
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Sean Fitz-Gerald is a staff writer at Thrillist Entertainment. Find him on Twitter: @srkfitzgerald.
Moments of catharsis on HBO's Sharp Objects, an eight-part miniseries based on Gillian Flynn's novel, are few and far between. The mystery is all about how pain lingers and recurs. In one of these rare moments, 15-year-old hellraiser Amma (Eliza Scanlen) gets her older half-sister Camille (Amy Adams) to take a cocktail of pills, including ecstasy, and starts dancing wildly to "Can't Take My Eyes Off of You." The scene segues into shots of the pair roller-skating around town as the Frankie Valli classic performed by Engelbert Humperdinck melds into something stranger -- a mashup of the recurring musical themes, with appearances from the Acid and Led Zeppelin. This blend of styles is disarming -- the ebullience of the retro pop blending into something more dire as Camille's haunting memories flash through her mind.
In any of director Jean-Marc Vallée's projects, music stands out. Take, for instance, Big Little Lies, which features a six-year-old with preternatural tastes and jokes about Sade. But in Sharp Objects the soundtrack feels more psychological. The songs used here are an excavation of memories: In some cases, they are a healing salve. In others, they are precise reminders of what has been lost. Certain artists pop up as recurring themes, among them rock icons Led Zeppelin, female-fronted indie folk band Hurray for the Riff Raff, and electronic outfit the the Acid. "You have all this Led Zeppelin and then you have this release with Hurray For The Riff Raff," music supervisor Susan Jacobs says. "It's this change of energy. We're composing because we don't have a composer. [Vallée is] really literally manipulating energy." Thrillist spoke with Jacobs to dissect the sounds of the series.
From Los Angeles to San Diego: Every Pit Stop You Need To Make Along The Way
With zero humidity and palm trees in the rearview mirror, cruising down the Pacific coast to San Diego from Los Angeles is summer. Of course, LA traffic can make it less cruiseworthy and more bumper-to-bumper. But with authentic taquerias, whale watching, and iconic surf breaks, there’s a quintessential SoCal pit stop just about every mile of the ride to distract you. Here’s seven summer getaways you can easily hit on the way to San Diego -- just don’t forget the sunscreen and a swimsuit.
The Science Project That Resulted in 'Die Hard's Most Killer Stunt
It's the three-decades-old shot that everyone remembers: up-close on the villainous Hans Gruber (Alan Rickman) as he falls to his death from the Nakatomi building at the hands of John McClane (Bruce Willis) in John McTiernan's 1988 action thriller Die Hard. The shock on Rickman's face -- reportedly the result of being released slightly early as part of the fall -- is one of the stand-out stunts from 1980s action films.
It's also a shot that took advantage of what was then cutting edge optical -- not CGI -- special effects technology and some ingenious mathematics to bring the stunt to life. Here's how the special effects wizards back then from Boss Film Studios made it happen.