There was a lady all skin and bone; Sure such a lady was never known: It happened upon a certain day, This lady went to the church to pray. When she came to the church stile, There she did rest a little while; When she came to the church yard, There the bells so loud she heard. When she came to the church door, She stopped to rest a little more; When she came (to) the church within, The parson prayed 'gainst pride and sin. On looking up, on looking down, She saw a dead man on the ground; And from his nose unto his chin, The worms crawled out, the worms crawled in. Then she unto the parson said, Shall I be so when I am dead? O yes.! O yes, the parson said, You will be so when you are dead. Here the lady screams.
Is it art? Is it someone who is just incredibly disturbed? Is it some sort of narrative that we’re missing? The YouTube account for Robert Helpmann includes several videos of “Daisy” who appears to be a mannequin taped up in a garbage bag that is treated like a human (initial shock was generated by people mistaking Daisy for a corpse). The most popular and disturbing of these videos, which started appearing in 2015, is “Daisy Unwinds” where Daisy is “fed” and thanks to the glory of low quality video, it’s hard to tell if the mannequin is actually eating or not.
Beyond the initial creepiness, hints in the video point to some sort of art project or obsessive work of video editing. Flashes cut into the various Daisy videos reveal a poem called “The Gay Woman” (above) and snippets of audio that appear are reversed clips from Thomas Edison phonograph recordings.