The Best Teen TV Shows on Netflix

The 100 (2014-present)

How many post-apocalyptic shows starring attractive young people do we really need? Apparently, one more! The 100, which was adapted from a YA series by writer Kass Morgan, is about a team of teens sent down to bombed-out Earth from a colony floating in space. Inevitably, things go wrong: Warring factions emerge, hearts get broken, and, as is required by TV law, beloved characters are killed. Don't let the show's soapy veneer fool you; this is dark, thoughtful material in a slick, teen-friendly package.

13 Reasons Why (2017)

Whether you've read the source material or not, Netflix's latest teen drama will ensnare you. Brian Yorkey's adaptation follows Clay (Dylan Minnette), a Liberty High student who receives seven cassettes defogging his crush's mysterious rationale for suicide. Dramatic by nature but effective in execution, 13 Reasons Why unspools an addictive story while touching upon heavy issues like depression, driving under the influence, and sexual consent. It might seem over the top at times, but that's the way high school was and is. The heartbreak is real.

American Vandal (2017- )

American Vandal, about teen documentarians who investigate the innocence of a classmate accused of vandalism (Jimmy Tatro), is much more than a four-hour dick joke. After the first couple episodes, the phallic material fades into the background, allowing the show to satirize high school and today's criminal justice system in a meaningful way. To pull it off, the co-creators studied the techniques that made them so invested in such true-crime titans as Serial, Making a Murderer, and The Jinx. It's parody, homage, addictive teen drama all wrapped in one -- an underrated win for the streaming service.

Atypical (2017- )

Robia Rashid's ambitious family dramedy centers on an autistic 18-year-old named Sam (It Follows' Keir Gilchrist) who's seeking a girlfriend and independence. The writers carefully employ therapy sessions and asides to shed light on autism, moves that are always more enjoyable than didactic. The humor sprinkled throughout rarely comes at the expense of its protagonist (N.B. great fun facts about penguins and Antarctica). And the show touts a message of inclusion and compassion, no matter the circumstances, to which all viewers can relate. It's an emotional eight-episode ride, one that might get off to a clunky start, but one that's ultimately worth the investment, especially considering the bite-size runtimes and the heft that sucker-punches you at the end.

The End of the F***ing World (2017- )

Somehow, a show about a teenager who's convinced he's a psychopath and wants to find his first human kill manages to come off as a charming love and coming-of-age story. The tone demands a lot of the audience: Can you empathize with the human struggle of a kid who wants to kill, kill, kill? It's a compelling premise that tackles the question with necessary nuance. 

The Flash (2014-present)

While The CW's Arrow teeters on the edge of self-parodying grimdark nonsense most of the time, the show's DC Comics companion, The Flash, is a lighting-speed breeze. Glee alum Grant Gustin stars as the breaker of sound barriers, who finds himself battling everyone from freeze-gun-wielding mad men to sentient gorillas in an effort to uncover his mother's equally speedy killer, and in later seasons, unpack the multi-dimensional logic enabled by other "speedsters." For all its teen-friendly drama, The Flash never shies away from the comic book nonsense (he said lovingly) or the splash-page action. Finally, our campy superhero TV shows can look and feel like the movies.

Freaks and Geeks (1999-2000)

Like its awkwardly dressed and perpetually yearning protagonists, Paul Feig and Judd Apatow's ode to the pain of adolescence was destined to be an outcast from the start. Its presciently selected cast -- including Seth Rogen, Jason Segel, James Franco, John Francis Daley, and Martin Starr -- anchored a show that was perhaps too prickly and personal to catch on with NBC's mainstream audience, but it lives forever on Netflix. So, like Starr's achingly joyful Bill Haverchuck watching Garry Shandling after school, make yourself a grilled cheese, grab a glass of milk, and get ready to find some pockets of transcendence amidst the misery.

Gilmore Girls (2000-2007)

In case you haven't heard, Netflix revived Gilmore Girls -- so you can catch up with this wisecracking mother-daughter duo before watching the four-episode follow-up. The show takes place in the quirky small town of Stars Hollow and features a dynamic supporting cast so fully fleshed, you'll feel like a local after your first hour. For extra credit, the Gilmore Guys podcast dissects the series episode by episode, providing a present-day watercooler for your thoughts on a 17-year-old show.

Glee (2009-2015)

With shows like Nip/Tuck, American Horror Story, and The People v. O.J. to his name, TV maven Ryan Murphy earned his reputation for spilling blood. But with Glee, Murphy and co-creators Brad Falchuk and Ian Brennan (Scream Queens) spill their guts, setting observations on gender, sexuality, relationships, disability, family, and teenhood to song. Those who saw the show's 30-second ads during its six-season run know Lea Michele's bubbly Rachel, the comical rivalry between music teacher Will Schuester (Matthew Morrison) and cheerleading coach Sue Sylvester (Jane Lynch), and the non-stop re-engineering of classic songs into pop a capella hits. But there's more to Glee than jazz hands and major chords; when these kids belt "Don't Stop Believin'," they beam those notes through a social shitstorm of Murphy's creation, and the journey is typically sweet. 

Gossip Girl (2007-2012)

While it's now known primarily as the show responsible for making Blake Lively and Leighton Meester famous, Gossip Girl's strength is delighting in the outsize amorality of elite high-schoolers on New York City's Upper East Side. This rarefied setting is a playground for the calculating, ambitious, backstabbing exploits of characters with surnames like "van der Woodsen," "Waldorf," and "Archibald." After plowing through your fifth episode in a row and experiencing a strange desire to get brunch and take a weekend shopping trip to Paris, you may hate yourself a little bit... but not enough to stop watching. 

Haters Back Off (2016-2017)

Haters Back Off plays as an origin story for YouTube sensation Miranda Sings (Colleen Ballinger's internet persona), who has amassed millions of subscribers by caking on lipstick, dissing famous people, abusing the English language, and uploading tutorials on everything from dancing to making "TACO BELL POPCISCLES" [sic]. But Haters, co-created by Ballinger and her brother Christopher, focuses less on those vids and more on Miranda's offline pursuit of fame -- love, betrayal, and tragedy all making cameos along the way.

Jane the Virgin (2014-present)

Yes, the title, the premise, the plotlines on this CW series are all ridiculous. But it's a telenovela -- it's supposed to be over the top. What's truly unbelievable about Jane is how many serious, controversial issues it makes palatable without moralizing (#ImmigrationReform). Somehow, a melodrama about an accidentally artificially inseminated virgin raising a baby while flitting back and forth between the vertices of a love triangle, which takes place in a world populated by drug lords, secret twins, evil professors, and a police department conspiracy, manages to strike the simplest emotional and comic beats week after week. Jane deserves praise for its bilingual storytelling, strong female relationships, and uncommon mastery of a narrator's chyrons... but ultimately, we watch it because it's just plain fun.

Pretty Little Liars (2010-2017)

After four teen girls lose their best friend Alison, an anonymous menace, "A," appears to expose the clique's dirtiest secrets. PLL -- based on Sara Shepard's mystery YA series of the same name -- follows the quartet as they try to unmask A and learn what really happened to their fearless leader. If you've ever found yourself popping open a 5.68oz can of Pringles, saying, "I swear on everything holy that I will only eat five -- that's right, five -- chips this time," only to dump the tube upside down to fish out the very last of the jagged scraps minutes later, expect a similar experience here. You'll roll your eyes at the campiness and soapiness, but you'll eat up the delicious intrigue. It's a show that's petty but powerfully suspenseful, somewhat unbelievable but certainly worth bingeing. In fact, you might not even have a choice, for you'll marvel at your lack of self-restraint when you find yourself whispering, "Oh, come on, just one more chip. I mean episode." Godspeed.

Riverdale (2017-present)

A modern CW take on the yuk-yuk teen comic Archie may sound like a shot of arsenic to prestige TV binge-watchers, but with a murder-mystery undercurrent, soap drama worthy of The O.C., and a sheen that looks like Twin Peaks by way of 300, Riverdale rises above everything you think you should be watching. Each young actor on the show is a discovery (OK, maybe not Arch himself, but this is why the comics always emphasized "& Friends") and the fully packed episodes earn all the twists and turns. Watch Riverdale and you'll be sifting through grocery store comic shelves in a week.

The Secret Life of the American Teenager (2008-2013)

"Teenager" is right there in the title! A young Shailene Woodley plays a 15-year-old who finds out she got pregnant at band camp; Molly Ringwald plays her mother; a Christian girl strikes up a friendship with a wild child; infatuation turns to love turns to hate turns to infatuation again in ridiculously short timespans; John Mayer songs pepper the soundtrack. It's like the writers wanted to stuff every teen trope into a crowded locker, but the show succeeds as a reminder of how serious the tribulations of high school felt -- whether or not they had the real-world consequences of an unintended teen pregnancy. 

Skins (2007-2013)

Hormonal teens. Lots of bad decisions. Zero fucks. Upon first viewing, Skins might feel like the British version of Project X or Veep's vulgar little sibling. But there's much more to the rampant sex and social one-upmanship that riddles Roundview College. Each cleverly scripted installment -- told from a different character's point of view -- meshes foul-mouthed humor with the gritty personal details of subjects like mental illness, family dysfunction, and race. The combo makes for some potent concoctions, ones that manage to pulse with an electrifying rhythm, even though many of Roundview's students (played in early episodes by the big-name likes of young Nicholas Hoult, Dev Patel, and Daniel Kaluuya) are mired in the mind-numbing ennui between childhood and adulthood. After a couple episodes, you'll find yourself obsessing over these deftly drawn kids, what their futures look like, and whether their anarchic exploits will make them or ruin them.

Stranger Things (2016- )

If you haven't binged Netflix's '80s paranormal throwback... what gives? It's all your friends talked about last summer, and the second season, due in October, looks bonkers. If you've already done your time in the Upside Down, bide your time with the time-jumping Travelers, the alien-invasion saga Colony, the goofy fantasy series Shannara, and the one-season mind-bender Awake.

The Vampire Diaries (2009-2017)

Here's the pitch: not one, but two hot vampire brothers. While it premiered back in 2009 at the sparkly peak of Twilight mania, this supernatural teen soap has more in common with co-creator Kevin Williamson's witty '90s work -- Dawson's Creek and Scream -- than it does with Stephenie Meyer's po-faced novels. Based on a series of books by YA writer L. J. Smith, the show brings you into the inner life of a newly orphaned high-schooler named Elena (Nina Dobrev) who gets pursued by sultry, good vamp Stefan (Paul Wesley) and his equally sultry, evil bro Damon (Lost's Ian Somerhalder). There's love triangles, complicated mythology, crazy plot twists, and countless scenes where yokels get bit in the neck by pale guys with great hair. But its the wry, almost Buffy-like comic tone that keeps you coming back.  

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